Oriental VisArt’s 3rd Exhibition in Geneva

28 02 2011

We are pleased to present Oriental VisArt’s third exhibition in Geneva, The Space Between, a group exhibition featuring three different Asian Artists: Wook Heo, Can Kang, and Salvaraj Kumaresan.

The Space Between features works that respond to each artist’s individual perspective of their mercurial identity within a world that is changing rapidly by globalisation and breakneck urbanisation.

The three artists commonly explore how objects, images and surfaces can be viewed in a myriad of ways.  It is not the point to merely create an interpretive framework based on the subject matter, nor on the layers of medium used to create the work.  What each artist strives for is an analysis of what lies between reality and representation; an investigation of The Space BetweenThe Space Between represents a connective point between the convergence and divergence of cultural life and identity in contemporary civilisation.

Korean artist Wook Heo finds new space and meaning by analysing and mixing an object from diverse angles. Created in unique form, his work is neither painting nor relief. His work is layered with puzzles to create and combine divided images. His colour fields create new planes, and when layered, form a solid structure. They do not come to a standstill. Planes become solid figures, and solid figures spread out on a two-dimensional surface. Disassembled objects are reassembled, and reassembled things are disassembled again. Elements expand and reduce. His work is full of constantly circulating energy.

The paintings of Can Kang are surreal narratives in response to his native-born China’s own process of internationalization and development. According to the artist, babies are the ultimate symbol of human purity – entering the world simple and unadulterated – and when juxtaposed against a contemporary context Kang transforms pre-existing notions of these symbols, creating a new disposition suggestive of this fanatical age of consumption.

Contrasting meanings collide and circulate in the work of Indian artist Kumaresan Selvaraj. Selveraj is interested in what the surface textures of his chosen medium implies about the ‘subterranean emotions’ of his memories and consciousness, not only of his state of mind now, but historically. The process of his awareness is filled with the energy of contradiction and harmony, and subsequently Selveraj explores mediums to blend diversely contrasting concepts such as matter and non-matter, time and space in his work.

The opening/vernissage takes place this Thursday, 3 March, from 6 p.m. 9 p.m. at La Cave in Geneva.

Between tiers - football 67. Wook Heo

"Between tiers - football 67" mixed media, 81 x 122 cm, 2010 - Wook Heo

"Telescope", oil on canvas, 50 x 50 cm, 2010 - Can Kang

"Telescope", oil on canvas, 50 x 50 cm, 2010 - Can Kang

"What We See Conceals A Lot Behind It", ink on magazine paper, 60 x 84 in, 2010 - Salvaraj Kumaresan

"What We See Conceals A Lot Behind It", ink on magazine paper, 60 x 84 in, 2010 - Salvaraj Kumaresan

 





Indian Artist ‘Kumaresan Selvaraj’

18 09 2010

Kumaresan Selvaraj was born in 1983 in Chennai, India and he currently lives and works there. He was given a B.F.A. in Painting from the Government College of Fine Arts in Chennai, India in 2005. He has shown his work as beow,

2009

‘Integrating the times’, Gallery Blue Spade, Bangalore, Karnataka, India

‘Madras Canvas’, Forum Art Gallery, Chennai, India

‘Kinetics’, Chitrakala Parishadh, Bangalore, Karnataka, India

2008

‘Between the lines’, New Delhi, India

‘Madras canvas’, Forum Art Gallery, Chennai, India

‘One man show’, Apparao Art Gallery, New Delhi, India

‘The south show’, Apparao Art Gallery, New Delhi, India

2007

‘Kinetics’, Lait Kala Akademi, Chennai, India

‘Expressionistic elucidations’, Apparo Art Gallery, Chennai, India

‘The spice of life in Uppal Orchid’, Apparo Art Gallery, New Delhi, India

‘Scapes’, Triveni Francaise, Pondicheery, India

He says,

Perception is the source for works, to transform the perceptions in to work of art, go myself into confusion, analysis, references, and get in to talks to furnish it.

The forms told and to tell in works leave thoughts for reconsidering .Evolution  is not forbidden in execution .To tell my negative space I need a positive space and vice versa. Without getting in to the margin of mediums exploring new spaces and materials is a great innovation which leads experimentation.

As perceiving being the shadow of mine, obviously thoughts overlaps and many disappears in the layer formed. This intended me to work on thoughts perceived .While drowned in thoughts, perception helps me out to get out of it with a hand full of good visuals.

Enjoy his work images!!

“Secrets Stuffed”,  plastic bags, size variable, 2010

“What We See Conceals A Lot Behind It”, ink on magazine paper, 60 x 84 in, 2010

“Light to Dark”, serigraph on paper, 22 x 30 in, 2009

“Dark to Light”, die cut on paper, 10 x 10 x 1.5 in, 2009









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