« Neon Plants, Night Lights and Travel to the Galaxy » opening reception

30 05 2011

Oriental VisArt proudly presented our current exhibition, « Neon Plants, Night Lights and Travel to the Galaxy », on 24 May 2011 at Nest Gallery in Geneva, Switzerland. This is the first solo exhibition of Korean Artist Hyungji Park in Switzerland.

Hyungji Park was in attendance for this vernissage. Guests were treated to her works on a beautiful, summery Geneva evening. All the guests had the opportunity to speak with Park, asking all sorts of questions and getting to know this talented Artist personally. « Neon Plants, Night Lights and Travel to the Galaxy » continues until Sun 5 June 2011. Thank you to all who came to the vernissage, and if you haven’t had the opportunity to stop by already, we look forward to seeing you soon!

Please enjoy some images from the vernissage.

Display view 1

Display

Display view 2

Display

Display view 3

Display

Vernissage view 1

Vernissage

Vernissage

Vernissage

Vernissage

Vernissage

Vernissage

Vernissage

Vernissage

Vernissage

Artist Hyungji Park and organiser Kayla Hye K. Yang

Artist Hyungji Park and organiser Kayla Hye K. Yang





Oriental VisArt’s 5th Exhibition – Neon Plants, Night Lights and Travel to the Galaxy, Hyungji Park’s solo show

19 05 2011

Oriental VisArt is pleased to announce our fifth exhibition, Neon Plants,
Night Lights and Travel to the Galaxy,
a solo exhibition featuring the works of Korean Artist Hyungji Park. The exhibition will commence on 23 May 2011 at Nest Gallery in Old Town, Geneva, Switzerland, and run for two weeks. The vernissage will take place 24 May 2011 from 6-9 p.m. at Nest Gallery and Artist Hyungji Park will be in attendance.


« Neon Plants, Night Lights and Travel to the Galaxy » features the work of Korean Artist Hyungji Kim for her first solo exhibition in Switzerland.

Splashed, splattered, sprayed, spread, swept. Blotted, dripped, layered, mixed, pared back, rubbed. For Hyungji Park the physicality of paint is as important as it is a visual medium. The artist’s interpretation of her chosen subject matter through the manipulation and application of paint is paramount.

Park takes her imagery from everyday life – drawing visual references from contemporary culture and media, the internet, art history, magazines, advertisements, and conventional motifs found in comics, graphic design and old wood cut prints. Each source is then re-appropriated through painting techniques to transform the original source into a new realisation – one that is rich in fantasy and has multiple interpretations. The artist claims to be in constant search for ways to create new and playful dialogues between the material conventions of painting and the abundance of imagery she finds around her.

In « Neon Plants, Night Lights and Travel to the Galaxy » the artist shows recent works and those from her previous series Strange  Scenery. Park creates fictitious scenes by combining collected visual references that are then dissected and recreated to form new abstracted landscapes and imagery. In her earlier works, the artist details sections with acute precision, carefully building up layers of oil paint, and then dripping watery thin consistency of medium sporadically over the works so that ultimately the result is that the viewer’s eye is drawn away from the apparent subject matter to the surface of the work and hence the structure of the painting.

More recent works are influenced by visual references taken from window displays, illuminations, objects and design. The works show evidence of a more broad experimentation with technique – paring back surfaces and detail, scraping off paint or spraying and splattering medium in order to conjure effect and experience. Park’s paintings could be said to be revelations of her mind’s processing of modern society’s visual overload of information, and her technique – her way of digesting, sorting, reflecting upon and understanding. The artworks become the connecting tissue for the thoughts and views of the artist.

Park appears interested less in the finished work than in the ‘systems’. Her works are not so much the culmination of a concept, as the product of what is unseen – her thoughts and her actions. This series denotes her advance in her practice, and her desire to have a complete experience with painting – one that involves seeing, thinking and doing.

Park earned a Bachelor of Fine ArtsArts Degrees Hongik University of Seoul, Korea in 2001, followed by her Masters in 2006 at the Korean National University of Arts in Seoul. She went on to complete an additional Masters of Fine Art at the Central Saint Martins College of Art and Design in London in 2008. Park currently lives and works in London.

Sascha Gianella
May, 2011

Please enjoy Hyungji Park’s work images!

Bubble Castle, Acrylic on linen, 95x130cm, 2011

Bubble Castle, Acrylic on linen, 95x130cm, 2011

Boramae Park, Acrylic on linen, 130x145cm, 2011

Boramae Park, Acrylic on linen, 130x145cm, 2011

Neon Plants, Acrylic on linen, 130x145cm, 2011

Neon Plants, Acrylic on linen, 130x145cm, 2011





Korean Artist Hyungji Park

12 05 2011

Hyungji Park was born in Seoul, Korea in 1977. In 2001, she earned her B.F.A. in Fine Art from Hongik University in Seoul, Korea. In 2006 she earned an M.F.A. in Fine Art from Korean National University of Arts in Seoul, Korea. Park also studied Fine Art at Central Saint Martins College of Art and Design in London, UK, where she is currently living and working today. She specialises in Painting.

Hyungji Park’s first solo exhibition in Switzerland, Neon Plants, Night Lights and
Travel to the Galaxy,
begins 23 May 2011 in Geneva, Switzerland. Her other exhibitions include:

Solo Exhibition
2010 Fake Tales From Somewhere Harrington Mill Studios, Nottingham, UK,
Strange Scenery Nordisk Kunst Plattform Project Space, Brusand, Norway
Group Exhibitions
2010 Guasch Coranty International Panting Prize 2010 The Center of Art Tecla Sala, Barcelona, Spain
4482[Sasapari] Korean contemporary Artists in London Bargehouse, London, UK
2009 Raymond Gun: Platfrom DegreeArt.com Gallery, London, UK
Time, Time, Time Terrace Studios, London, UK
Drawn In Sidcot Arts Centre, North Somerset, UK
Flash Company Cecil Sharp House, London, UK
Private Practice 2 DegreeArt.com Gallery, London, UK
2008 The Tomorrow People: Artists of the Future Now 2008 Elevator Gallery, London, UK
Private Practice 1 Chinese Characters Contemporary Art Space, Budapest, Hungary
4482 Bargehouse, London, UK
2006 Like Something (Duo Show) 175 Gallery, Seoul, Korea

She says,

“My practice brings visual references and sources from everyday surroundings, pop culture and digital images from contemporary media. The references and sources are displaced into the painting language in my practice. I approach not only painting as a visual medium but also painting as a physical medium. I am searching for ways of creating a new and playful dialogue between the material conventions of painting and the abundance of imagery I find around me.

<Neon Plants, Night Lights and Travel to the Galaxy> includes my previous series Strange Scenery and recent works. Strange Scenery creates fictitious scenes and landscapes by combining visual sources from snapshots, images from the internet, magazines, advertisement and daily remnants. They are extracted, dissected and mixed with other images, resulting in strange new scenes and landscapes. On the other hand, in more recent work, I have an interest in everyday imagery in urban life and have more focus on exploring ways of interpreting in paint, the visual grammars and atmospheres found in display windows, illuminations, objects and designs.

In both Strange Scenery and the recent work, the source images are interpreted or reinterpreted through a particular handling of the paint. They are often further transformed into abstractions that deal with on the term of the material through the process of painting. I translate the visual elements of the sources into the matter of paint and painting language, allowing the paint to reclaim these images through colors, loose brush strokes, dripping and layers of paints. The original visual information from the sources are transformed, omitted, and deformed through being interpreted into paint. They are no longer placed in their original contexts rather they are reframed as something unfamiliar, functioning only within the structure of painting.”

Please enjoy some of her work images!

Bubble Castle, Acrylic on linen, 95x130cm, 2011

Bubble Castle, Acrylic on linen, 95x130cm, 2011

Neon Plants, Acrylic on linen, 130x145cm, 2011

Neon Plants, Acrylic on linen, 130x145cm, 2011

Boramae Park, Acrylic on linen, 130x145cm, 2011

Boramae Park, Acrylic on linen, 130x145cm, 2011

What happened is unknown, but ... is crystal clear 1, oil on canvas, 77x102cm, 2010

What happened is unknown, but ... is crystal clear 1, oil on canvas, 77x102cm, 2010

What happened is unknown, but ... is crystal clear 4, oil on linen, 77x102cm, 2010

What happened is unknown, but ... is crystal clear 4, oil on linen, 77x102cm, 2010








Follow

Get every new post delivered to your Inbox.

Join 106 other followers