Chinwook Kim

7 05 2012

‘Externalisations of the Mind’
Mon 14 – Sun 27 May 2012

Oriental VisArt is pleased to present Korean artist Chinwook Kim’s first solo exhibition in Switzerland, and Oriental VisArt’s 7th exhibition.

At first glance Chinwook Kim’s works appear as semi-abstract landscapes filled with life and nature. Works that are soft in palette and intricate with organic forms, reminiscent of detailed Japanese woodblock prints in which the figures inhabit a narrow foreground space and are defined only by simple ink outlines filled with flat areas of colour or textile patterns.

However there is a sense of uneasiness and eeriness to the twisting forms that impose on each other, layer after layer, which reveal a far more complex and sober nature of what lies beneath and behind the tightly bound, gnarled forms. Only rarely is shading employed, and then it is confined to depictions of blurring the distinction between the detail and what appears to be black holes, spaces void of information or recall.

Kim is an accomplished draughtsman; the works are drawn with dense hatching to create tonality, yet some of the most beautiful works in the series have black spots or areas that are drowned in shading, creating a haze where detail struggles to emerge. These works tell us about the mind of the artist; the surfaces are so dense with detail that the images feel airtight and dense. Spidery calligraphic lines create organic shapes that feel as through they are in perpetual motion, while washes, drips and glimpses of colour suggest second thoughts and erasures. Over a piece of white paper his horde of creeping forms are influenced by the mastery of medium and imagination of Heironymous Bosch, or the consummate delicacy and refinement of Aubrey Beardsley.

Chinwook Kim’s works unfold as his conscious and subconscious state of mind does. His works are the externalisations of his mind.

Born in 1972 in Korea, Chimwook Kim undertook his undergraduate Bachelor of Fine Arts in Seoul, before relocating to Europe and completing a second Bachelor of Fine Arts followed by his Masters in Germany, then after relocating to the UK he completed a further Masters of Fine Arts. His works have featured in numerous group exhibitions in the UK and Switzerland.





London Vernissage Jan 2012

7 02 2012

Wook Heo‘s first exhibition in London is proving to be a success, and here are a few photos of the artist’s work presented at Mokspace, during the private viewing on 27 Jan 2012.
The artist’s love of Matisse is apparent in his vibrant palette and these photos highlight the three dimensional quality of Wook’s art. Enjoy the burst of colours in these photos!









Korean Artist ‘Jihyun Kim’

10 02 2010

Today I would like to introduce a Korean female Artist Jihyun Kim. She was born in 1975 in Jun-ju, Korea and she is currently living and working in Seoul, Korea. She completed a M.F.A at the Hong-Ik Unversity and a B.F.A at same school. She is specialised in oil painting and drawing. She says

“The main topic of my work is about relationships and their mutual understanding. Unbalanced relationships between people, or between a society and its people remind me about all the relationships around me. What is shocking is that there are a number of conflicts and silence even if that seems to be peaceful and calm. There was an incident when was thinking as if there was no problem with some people or relationships. How ironic it is! However, still dream of coming to a mutual understanding with the people around me, the society where am entwined. Misunderstandings, bad memories, unexpected events, and a moment of an instant would be a passage that enables us to communicate with each other and understand each other. My works are ongoing records which are about flowing relationships”.

Enjoy her work images below and visit her blog to appreciate more works!

‘On way back’, oil on canvas,  92x122cm, 2008

‘Flows’,  oil on paper,  53×72.7cm,  2008

‘Dead sleep’, oil on canvas,  60.6×72.7cm, 2007

‘L’île’, oil on canvas,  130x162cm, 2009

‘Trans-for-cactus-8′, pen on paper,  75×100.5cm,  2009

‘Trans-for-catus-5′, pen on paper,  38x140cm,  2009








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